{"id":205,"date":"2015-10-25T20:00:47","date_gmt":"2015-10-25T18:00:47","guid":{"rendered":"http:\/\/www.primapratticaensemble.it\/?page_id=205"},"modified":"2023-03-19T22:50:38","modified_gmt":"2023-03-19T20:50:38","slug":"repertorio","status":"publish","type":"page","link":"https:\/\/www.primapratticaensemble.it\/en\/repertorio\/","title":{"rendered":"Repertoire"},"content":{"rendered":"<h2>Secular Music<\/h2>\n<ul>\n<li><strong>1500<\/strong>\n<ul>\n<li>Anonymous (Cancioniero de Palacio) \u2013 <em>Dindirindin<\/em><\/li>\n<li>Thoinot Arbeau &#8211; <em>Pavane (&#8220;Belle qui tiens ma vie&#8221;)<\/em><\/li>\n<li>Jacques Arcadelt &#8211; <em>Il bianco e dolce cigno<\/em><\/li>\n<li>Adriano Banchieri &#8211; <em>Capricciata e Contrappunto alla mente<\/em><\/li>\n<li>Pierre Certon &#8211; <em>La la la, je ne l&#8217;ose dire<\/em><\/li>\n<li>Juan de Anchieta &#8211; <em>Con Amores<\/em><\/li>\n<li>Mateo Flecha &#8211; <em>La bomba<\/em><\/li>\n<li>Carlo Gesualdo &#8211; <em>Io tacer\u00f2<\/em><\/li>\n<li>Carlo Gesualdo &#8211; <em>Invan dunque o crudele<\/em><\/li>\n<li>Orlando Gibbons &#8211; <em>The silver swan<\/em><\/li>\n<li>Hans Leo Hassler &#8211; <em>Tanzen und springen<\/em><\/li>\n<li>Heinrich Isaac &#8211; <em>Innsbruck, ich muss dich lassen<\/em><\/li>\n<li>Cl\u00e9ment Janequin &#8211; <em>Toutes les nuites<\/em><\/li>\n<li>Claude Le Jeune &#8211; <em>Reveci venir du printamps<\/em><\/li>\n<li>Luca Marenzio &#8211; <em>Zefiro torna; <\/em><\/li>\n<li>Luca Marenzio &#8211; Ma<em> per me lasso<\/em><\/li>\n<li>Luca Marenzio &#8211; <em>Crudele acerba inesorabil morte<\/em><\/li>\n<li>Luca Marenzio &#8211; <em>La bella ninfa mia<\/em><\/li>\n<li>Luca Marenzio &#8211; <em>Dolorosi martir, fieri tormenti<\/em><\/li>\n<li>Pierre Passereau &#8211; <em>Il est bel et bon<\/em><\/li>\n<\/ul>\n<\/li>\n<li><strong>1600<\/strong>\n<ul>\n<li>John Dowland &#8211; <em>Come again<\/em><\/li>\n<li>John Dowland &#8211; <em>Can she excuse my wrongs?<\/em><\/li>\n<li>Henry Purcell &#8211; <em>If music be the food of love<\/em><\/li>\n<\/ul>\n<\/li>\n<li><strong>1700<\/strong>\n<ul>\n<li>Johann Sebastian Bach &#8211; <em>Aria <\/em>(BWV 1068, mov. II)<\/li>\n<\/ul>\n<\/li>\n<li><strong>2000<\/strong>\n<ul>\n<li>C. Ferrara &#8211; <em>Solo nel giorno<\/em><\/li>\n<li>C. Ferrara &#8211;<em> Amor piangeva<\/em><\/li>\n<li>G. Mariti &#8211; <em>Il glicine<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h2>Sacred Music<\/h2>\n<ul>\n<li><strong>1500<\/strong>\n<ul>\n<li>Felice Anerio &#8211; <em>Christus factus est<\/em><\/li>\n<li>Felice Anerio &#8211; <em>O Jesu, mi dulcissime<\/em><\/li>\n<li>Felice Anerio &#8211; <em>Ave Maris Stella<\/em><\/li>\n<li>Felica Anerio &#8211; <em>O bone Jesu<\/em><\/li>\n<li>Adriano Banchieri &#8211; <em>Confitemini Deo\/Aprestatici fede<\/em><\/li>\n<li>Antoine Brumel &#8211; <em>Sicut Lilium<\/em><\/li>\n<li>William Byrd &#8211; <em>Ave verum corpus<\/em><\/li>\n<li>William Byrd &#8211;\u00a0<em>Alleluia. Emitte spiritum tuum<\/em><\/li>\n<li>William Byrd &#8211; <em>Miserere mei<\/em><\/li>\n<li>William Byrd &#8211; <em>Ave Maria<\/em><\/li>\n<li>Joquin Desprez &#8211; <em>Tu pauperum refugium<\/em><\/li>\n<li>Johannes Eccard &#8211; <em>O lamm Gottes<\/em><\/li>\n<li>Gaspar Fernandez &#8211; <em>Eso rigor e repente<\/em><\/li>\n<li>Pierre de La Rue &#8211; <em>O salutaris hostia<\/em><\/li>\n<li>Luca Marenzio &#8211; <em>Sepelierunt Stephanum<\/em><\/li>\n<li>Christob\u00e0l de Morales &#8211; <em>Circumdederunt me<\/em><\/li>\n<li>Giovanni Pierluigi da Palestrina &#8211; <em>Alleluia<\/em><\/li>\n<li>Giovanni Pierluigi da Palestrina &#8211; <em>Ego sum panis vivus<\/em><\/li>\n<li>Giovanni Pierluigi da Palestrina &#8211; <em>O Crux, Ave<\/em><\/li>\n<li>Giovanni Pierluigi da Palestrina &#8211; <em>Jesu, rex admirabilis<\/em><\/li>\n<li>Giovanni Pierluigi da Palestrina &#8211; <em>Super flumina babylonis<\/em><\/li>\n<li>Giovanni Pierluigi da Palestrina &#8211; <em>Sicut cervus<br \/>\n<\/em><\/li>\n<li>John Sheppard &#8211; <em>In manus tuas<\/em><\/li>\n<li>Thomas Tallis &#8211; <em>If ye love me<\/em><\/li>\n<li>Tom<span class=\"st\">\u00e1<\/span>s Luis de Victoria &#8211; <em>Tenebrae factae sunt<\/em><\/li>\n<li>Tom<span class=\"st\">\u00e1<\/span>s Luis de Victoria &#8211;\u00a0<em>Popule meus<\/em><\/li>\n<li>Tom<span class=\"st\">\u00e1<\/span>s Luis de Victoria &#8211; <em>O vos omnes<\/em><\/li>\n<li>Tom<span class=\"st\">\u00e1<\/span>s Luis de Victoria &#8211; <em>In manus tuas<\/em><\/li>\n<\/ul>\n<\/li>\n<li><strong>1600<\/strong>\n<ul>\n<li>Juan IV di Portogallo &#8211; Crux fidelis<\/li>\n<\/ul>\n<\/li>\n<li><strong>1700<\/strong>\n<ul>\n<li>Johann Sebastian Bach &#8211; <em>O Lamm Gottes<\/em><\/li>\n<li>Johann Ernst Eberlin &#8211; <em>Christus factus est<\/em><\/li>\n<li>Johann Kuhnau &#8211; <em>Tristis est anima mea<\/em><\/li>\n<li>Wolfgang Amadeus Mozart &#8211; <em>Ave verum corpus<\/em> (K.618)<\/li>\n<li>Antonio Lotti &#8211; <em>Sanctus Dominus<\/em><\/li>\n<li>Antonio Lotti &#8211;\u00a0<em>Stava Maria Dolente<\/em><\/li>\n<li>Henry Purcell &#8211; <em>Man that is born of a woman<\/em><\/li>\n<\/ul>\n<\/li>\n<li><strong>1800<\/strong>\n<ul>\n<li>Felix Mendelssohn &#8211; <em>Zum Abendsegen<\/em><\/li>\n<li>Franz Schubert &#8211;\u00a0<em>Ave Maria\u00a0<\/em>(Arr. C. Ferrara)<em><br \/>\n<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h2>Carols<\/h2>\n<ul>\n<li><strong>1400\/1500<\/strong>\n<ul>\n<li><span class=\"text_exposed_show\">Anonymous - <em>Coventry Carol<br \/>\n<\/em><\/span><\/li>\n<li>Anonymous - <em>God rest ye, merry gentlemen<\/em><\/li>\n<li>Anonymous - <em>Gaudete<\/em><\/li>\n<\/ul>\n<\/li>\n<li><strong>1600<\/strong>\n<ul>\n<li>Anonymous - <em>Deck the hall<\/em><\/li>\n<li>Anonymous - <em>Il est n\u00e9 le divin enfant<\/em><\/li>\n<li>Anonymous - <em>Quelle est cette odeur agr\u00e9able?<\/em><\/li>\n<li>Michael Praetorius &#8211; <em>Es ist ein Ros entsprungen<\/em><\/li>\n<\/ul>\n<\/li>\n<li><strong>1700<\/strong>\n<ul>\n<li>Anonymous - <em>Adeste fideles<\/em><\/li>\n<li>Anonymous - <em>Les anges dans nos campagnes<\/em><\/li>\n<\/ul>\n<\/li>\n<li><strong>1800<\/strong>\n<ul>\n<li>Franz Xaver Gruber &#8211; <em>Stille nacht<\/em><\/li>\n<li>Felix Mendelssohn &#8211; <em>Hark, the herald angels sing<\/em><\/li>\n<li>Anonymous -<em> Gabirel&#8217;s message<\/em><\/li>\n<li>William J. Kirkpatrick &#8211; <em>Away in a manger<\/em><\/li>\n<li>Henry John Gauntlett &#8211; <em>Once in royal David&#8217;s city<\/em><\/li>\n<\/ul>\n<\/li>\n<li><strong>1900<\/strong>\n<ul>\n<li>Irving Berling &#8211; <em>White christmas<\/em><\/li>\n<li>Gustav Holst &#8211; <em>In the bleak midwinter<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>","protected":false},"excerpt":{"rendered":"<p>Musica Profana 1500 Anonimo\u00a0(Cancioniero de Palacio) &#8211; Dindirindin Thoinot Arbeau &#8211; Pavane (&#8220;Belle qui tiens ma vie&#8221;) Jacques Arcadelt &#8211; Il bianco e dolce cigno Adriano Banchieri &#8211; Capricciata e Contrappunto alla mente Pierre Certon &#8211; La la la, je ne l&#8217;ose dire Juan de Anchieta &#8211; Con Amores Mateo Flecha &#8211; La bomba Carlo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"page-full-width.php","meta":{"footnotes":""},"class_list":["post-205","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.primapratticaensemble.it\/en\/wp-json\/wp\/v2\/pages\/205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.primapratticaensemble.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.primapratticaensemble.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.primapratticaensemble.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.primapratticaensemble.it\/en\/wp-json\/wp\/v2\/comments?post=205"}],"version-history":[{"count":31,"href":"https:\/\/www.primapratticaensemble.it\/en\/wp-json\/wp\/v2\/pages\/205\/revisions"}],"predecessor-version":[{"id":855,"href":"https:\/\/www.primapratticaensemble.it\/en\/wp-json\/wp\/v2\/pages\/205\/revisions\/855"}],"wp:attachment":[{"href":"https:\/\/www.primapratticaensemble.it\/en\/wp-json\/wp\/v2\/media?parent=205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}